Leonard Pearlstein Gallery

Leonard Pearlstein Gallery

Pearlstein Gallery Convergence, Jeremy Holmes Pearlstein Gallery Pearlstein Gallery Pearlstein Gallery

Special Event

Cosas de Mujeres

Join us for three special performances of this new dance installation by world class flamenco dance company Pasion y Arte.

WHEN:April 10th and 11th at 8PM, April 12th at 3PM

TICKETS:Available in advance here.

Learn more about the performances here.

About the Gallery

The Leonard Pearlstein Gallery is committed to exhibiting novel and experimental art in all contemporary mediums including digital, video, sculpture, photography, graphics, and fashion design. Recently relocated to a larger space in the Westphal College of Media Arts & Design's renovated URBN Annex the Pearlstein Gallery has over 3,500 square feet and invites the public to enjoy our exhibits free of charge.

Location & Hours

URBN Center Annex, 3401 Filbert Street
Philadelphia, PA 19104
Tuesday - Sunday, 11am-6pm


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Gallery News

Bill Walton: Artist to Artist

11/16/14 - Galleries: Two sculptors are given their due

11/08/14 - a little to see, a lot to like

10/17/14 - Gallery honors late artist Bill Walton

09/15/14 - Drexel Exhibits Works by Beloved Late Philadelphia Artist Bill Walton, Shared by Fellow Artists

Splice dance program

09/23/14 - Fringe Festival: Leah Stein's "Splice" Site-specific dance: transformative for all ages

09/22/14 - Leah Stein Dance Company's "Splice"

09/18/14 - Roller Coaster-Like Sculpture at Drexel Inspires Leah Stein Dance Company's Fringe Festival Performance

09/05/14 - FringeArts: World Premiere of Splice Site-Specific Performance at Leonard Pearlstein Gallery, Drexel University

Jeremy Holmes

09/03/14 - Convergence: Jeremy Holmes challenges elemental forces at Leonard Pearlstein Gallery

08/12/14 - Philadelphia Inquirer covers convergence installation at Drexel University

08/06/14 - Jeremy Holmes: The lure of lumber

08/05/14 - Art aplenty in August

07/21/14 - Installation Artist Jeremy Holmes Makes Philadelphia Debut with his Largest Abstract Wood Sculpture Yet


Bartkus' "Beauty and the Beast," 2006-2009.

Ray Bartus: Storylines
Tuesday, April 7th & Sunday, May 24th
Opening Reception: April 9th from 5-7 PM with artist gallery talk at 5:30PM

As a painter, digital and installation artist, and illustrator, Ray Bartkus experiments with form. In the Leonard Pearlstein Gallery's upcoming exhibition, Storylines, Bartkus's monumental figurative paintings address how representational art is a tool for exploring the mysteries of humankind. From April 7 through May 24, his paintings and installations will take viewers into new and immersive environments. This is the first time these works will be shown in the United States, having largely been shown internationally in Austria, Japan, Lithuania, Poland and the Netherlands. In addition to his paintings, Bartkus is known for his illustrations which have appeared in The New York Times, Wall Street Journal, Time, Newsweek, Harper's, Billboard, Los Angeles Times and The Boston Globe. A free-to-the-public opening reception will take place on April 9 from 5:00pm to 7:00pm in the Gallery (3401 Filbert Street), and will include a talk with the artist.



More information coming soon.


Chakaia Booker: Are We There Yet?

On Wednesday Feb 18 We hosted a writers open studio and a Slam Poetry Gallery Tour conceived and performed by Pearlstein Poets in Residence: The Philly Pigeon. Verbal Sculpture will include new works from Kai Davis, Kirwyn Sutherland, Jacob Winterstein and Lauren Yates inspired by our current exhibition, Chakaia BookerÂ’s Are we there yet?.

Click Here for more information

Check out more about The Philly Pigeon on their website

Chakaia Booker: Are We There Yet?

Chakaia Booker: Are We There Yet?
January 13th 9 - March 8th
Opening Reception: April 9th from 5-7 PM with artist gallery talk at 5:30PM

The Leonard Pearlstein Gallery will open its winter exhibition of interdisciplinary artist Chakaia Bookers work on January 13, 2015. Are We There Yet?, featuring Bookers complex assemblage sculptures of discarded tires, will run through March 8, with an opening reception and artists gallery talk on January 15 at 5:30pm in the Gallery (3401 Filbert Street).

Booker fuses ecological concerns with explorations of racial and economic difference, globalization, and feminism. She addresses these issues through visual metaphor, utilizing both abstract and recognizable elements that draw from the contemporary landscape, including graffiti and those ubiquitous discarded tires by the side of the road. But her works are deeper and more mysterious than these obvious references. They are powerful images that command attention, at once fanciful and solemn. Her works stand as testimony to arts transformative impact, pushing us to ask significant questions about the world around us, said J. Susan Isaacs, curator of the show and Professor of Art History and Curator of the Department of Art Galleries at Towson University, where the exhibition originated.

An artist who fuses formal training with life experience, Booker received a BA in sociology from Rutgers University in 1976 and an MFA from the City College of New York in 1993. She gained international acclaim at the 2000 Whitney Biennial with Its So Hard to Be Green, her 12.5 x 21 foot wall-hung tire sculpture. Booker is a recipient of the Pollock-Krasner Grant and a Guggenheim Fellowship, and she has exhibited in group and solo exhibitions nationally and internationally. Her works are in numerous public collections including at The Metropolitan Museum of Art; New Orleans Museum of Art; The Studio Museum, Harlem, NY; Queens Museum of Art, Queens, NY; Neuberger Museum of Art, Purchase, NY; Laumeier Sculpture Park and Museum, St. Louis, MO; Storm King Art Center, Mountainville, NY; Newark Museum, NJ; Bronx Museum of Art, NYC; and the Birmingham Museum of Art, AL.